【插件简介】
AE硬件固然自带了许多输特别式挑选，可是假如我们念输出特别编码的时分，便需求借助其他东西，
AfterCodecs 那款编码输出插件，就能够撑持输出 H264，H265 战 ProRes 那些编码，
衬着输出速率也比AE自带输出更快，且紧缩的文件更小，绘量更佳。
Native exporter for AE bringing you ProRes on Windows and h264 (x264 and x265) codecs for excellent quality and lightweight videos.
民网 http://aescripts.com/aftercodecs/
撑持衬着的编码：
ProRes : LT / Proxy / Normal / HQ and even 444 that supports Alpha Channel.
x264 : best H264/AVC implementation, outperforming both Adobe Media Encoder, QuickTime H264 and AE’s built-in H264.
x265 : files are 30% lighter than x264 and it also supports 8K resolution.
x264 RGB : same as x264 but avoids YUV colorspace, best for storing separate channels in one video (UV map, Alphas…) for power users only.
1.4.1 新版更新 – Aug 31, 2018
* Audio PPro / AME : added 24 bit , 32 bit (Float) and “All Channels (Grouped as Stereo)” audio layout which reimports fine in Premiere Pro as multichannel stereo ! (Experimental)
* Audio on AE : added 32 bit (Float) and 8 bit
* [Experimental] Interlaced ProRes / H264 / H265.
In PPro / AME you should untick the last checkbox and choose something else than “None (Progressive)” (only if you have an interlaced source !).
In AE it’s in the Render Settings -> Field
* Checkbox in settings to disable timecode metadata
* Description text now on the right
* AE : new menu Composition -> AfterCodecs Settings to change Settings without going into the render queue
* AE in Render Mode : not showing the License popup anymore
* AE : ProRes 422 Ultra enabled (was only for PPro / AME before)
* H264 Fast Decode Tuning available
* Timecode issue in PPro / AME fixed
* Various bugs fixes
撑持Win体系：
After Effects CC 2018, CC 2017, CC 2015.3, CC 2015
Premiere CC 2018, CC 2017, CC 2015.3, CC 2015
Media Encoder CC 2018, CC 2017, CC 2015
| 
